Out Of Sight

“After the succession of nurses,/the anaesthetist, who was all business;/more drops, more stinging, more/numbing to be grateful for, a cannula/in my left arm. Then he approached with a felt tip pen, and announced/“Now I’m going to draw on your eye!”/My eye had to flick left, right,/up, down - his uneasy, shifting canvas.”

Poet and literary scholar, Dennis Haskell, examines a crucial sense. He drifts into a yellow haze and reports lucidly from a world of unseeing.

By Dennis Haskell & PEN Perth


Photo: Bayu Syaits/Unsplash

Out of Sight

                            with gratitude to Dr Olivia MacVie

 

Shifting steadily across the sky, banisher

of darkness and begetter of warmth,

Old Sol was for so long a God, a

golden guinea above us; now a friend

we could not live without

but only at a Goldilocks distance

from its explosive ferocity.

                                            Years

of seering air had turned my eye

to the sun’s own yellow, and so,

starvation and thirst from early morning

to the Eye Hospital I had to go. It’s true

the cataract haunted me like a passion.

 

To get in required a temperature check,

papers, and Covid questions, then waiting time

in a windowless place, all its light

artificial. Nurses, all my possessions

disappeared, questions, which would return

again and again, name and birthdate

like a chant. Then I was led away

in a sunless, timeless world

to an optometrist; my chin on a stirrup,

she moved a camera back and forth

to my unphotogenic eye: blink,

stretch it wide, hold, starkly,

my jaw contorted

before circles of stunning white light.

 

Gradually moved into the inner sanctum

as if into a séance, into mystery,

I became begowned and hair-capped;

pleasant nurses, drops after drops

into my eye: some stung,

some partly numbed the poor thing.

 

After the succession of nurses,

the anaesthetist, who was all business;

more drops, more stinging, more

numbing to be grateful for, a cannula

in my left arm. Then he approached

with a felt tip pen, and announced

“Now I’m going to draw on your eye!”

My eye had to flick left, right,

up, down - his uneasy, shifting canvas.

 

Finally, some “relaxant” flowed into my arm,

my chair went flat; my head on a jelly pillow,

I was wheeled away, into the dark

where my ophthalmologist suddenly appeared

and leaned over me, pulled down

a periscope-like light, and covered me

with mesh, all but a square for my oval eye.

I had read what she would do: nick my eye,

suck out the sun-coloured cataract

and drop in a new, clear bionic one

angled to the lines on my sketchy eye:

splotches of shifting red, blue

swam before me; but I hardly felt

the whole thing. It was over

before I really knew, and I was quickly

wheeled out to sit up with biscuits and tea.

 

That night it was a scratchy, watery eye,

the next day simply blinding light;

I had to wear sunglasses everywhere,

somewhere between Joe Cool and the Cyclops.

But healing had begun; my ophthalmologist

says she’s “just a technician” – it’s all science;

now clear-eyed, to me it’s a form of magic

almost as stunning as our accidental sun.

Photo: Simon Berger/Unsplash

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